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Tamara Tunie Wins First Daytime Emmy, Pays Emotional Tribute to Her 92-Year-Old Mother

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FREE MUSIC RESOURCES: Carly Ann Taylor and Lloyd Nicks Offer Worship Charts, Lyrics and Multitracks This Week

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What Would You Ask Darlene Zschech and Dustin Smith? E21 Opens the Floor for Candid Worship Q&A

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Stephen Stanley’s “Exile” Almost Stayed Unreleased—Then “The Chosen” Gave It a Home

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Ainsley Earhardt Thanks Lee Greenwood for Special Wedding Performance: “The Honor Was Ours”

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Amy Grant Reunites With Vince Gill and Daughter Corrina for Special “Tennessee Christmas” Anniversary Release

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ICE Supporter Pastor Samuel Sey Removed to Canada as Wife Reveals Family’s Devastation

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Josh Jacobs Says Gospel Song “Break Every Chain” Inspired His Touchdown Celebration

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The Origins of Halloween: How Prayers for the Dead and Cakes for the Poor Helped Shape a Holiday

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Tyler Perry Fights to Keep Private Texts Confidential as $77 Million Assault Lawsuit Takes New Turn

The Hyssongs’ "We’ve Got a Song to Sing" Album Review: Thirty Years On, Hope Still Leads the Way

John Long on Loss, Surrender, and the Faith Behind “All To Him I Owe”

Album Review: The Oak Ridge Boys’ Buried Treasures Finds Faith, Friendship and Life Beyond Loss

Rachelle Fletcher on “Let Love Win,” Children in Crisis and Standing for Truth Without Losing Love

Alexander Pappas Opens Up About Hillsong Hurt, “Shallow” Song Criticism, And The Hardest Year Of His Life

ZOEgirl Returns With “I Still Believe”: Chrissy Katina Shares Her Journey Through 14 Years Without Her Singing Voice

Kid Rock’s "Halfway 2 Jesus" Review: Faith, Failure and the Long Road to Redemption

Album Review: Charity Gayle’s "His Name Shall Be" Brings Christmas Worship Into Seasons Of Joy And Grief

Hillside Recording And Addy Prado Reveal The Personal Story Behind Christmas EP “Come And See”

Album Review: Josiah Queen’s “Damascus Road” Turns Spiritual Restlessness Into A Call To Live Fully

The Hi-Bridge Band’s Cy Pierpont On Finding His Way Back To Music, Chasing The Groove And Putting Family First

Carl And Laura Lentz’s "Overcoming Infidelity" Book Review: Does Their Marriage Recovery Offer A Road Map For Others?

Ebie Adkins On ‘Gone 2: Unshakable Faith’ And The Choice That Tests Everything

Jen Wilkin’s ‘Dust To Dust’ Book Review: What Our Fear Of Aging Reveals About Our Faith

Exclusive interview: Andy Riemersma On “I PRAISE YOU” And The Calling Behind His Music

Album Review: Jenna Raine’s ‘Jeans, Boys & Jesus (Deluxe)’ Finds Faith In The Mess Of Growing Up

Album Review: Josh Baldwin’s “Worth Everything” Asks A Costly Question Behind Familiar Worship Words

Dan Musselman Opens Up About Losing His Calling, Finding A New Mission, And “Dust And Doxology”

Chris Tomlin’s Daughter Ashlyn Exclusively Opens Up About “The One,” Her Famous Father, And Finding Her Own Faith

Skillet’s “After The Storm” Review: Big Hooks, Heavy Guitars, And A Familiar Fight For Hope

Exclusive Interview: Grassy Creek Bluegrass Band’s Brian Eversole Reveals The Terrifying Night Behind “Fire On The Hill”

Album Review: Megan Woods’ Self-Titled Debut Finds Its Strength In A Question Of Identity

Matt Rees’ “Death Like Yours” Album Review: What Happens When Worship Meets Church Hurt?

What Is Jake MacAdam Asking God For? Inside His New EP "Source Of Life"

Album Review: Amy Grant’s ‘The Me That Remains (Deluxe Edition)’ Finds More Beauty In The Becoming

Album Review: Charles Billingsley’s “Replay” Finds New Purpose In Christian Music’s Past

Wynonna’s “The Hard Truth” Review: What Happens When The Voice Gets More Personal?

Album Review: We Are Messengers’ "Halfway Home" Finds Hope in the Space Between Here and Heaven