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Gospel Singer Timiney Figueroa’s Son Miles Caton Lands Role Alongside Denzel Washington

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Big Daddy Weave’s "It’s Time for Christmas" Review: Familiar Festivities with a Moment of Wonder

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San Franklin on “El Shaddai,” Losing Her Parents, and Learning to Keep Trusting God

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Amy Grant and Brandy Clark Announce Joint UK and Ireland Tour for 2027

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Compassion International Sues Whistleblower Who Raised Child Grooming Concerns

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Living Again Talk Faith, Heartbreak and Honest Christian Rock on "Living Again II"

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Allie Beth Stuckey Calls Same-Sex Marriage Affirmation ‘Extremely Unloving’ in Bible Study Advice

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Karen Peck Welcomes Granddaughter Jessie Mae as Autumn Nelon Streetman Steps In for New River Concert

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‘Love Is Blind’ Star John Shannon Admits Cheating on Sarah Williams Before Their Divorce

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‘Drummer Boy,’ Co-Directed by for KING & COUNTRY’s Joel Smallbone, Eyes $8.5 Million Box Office Opening

Album Review: Mark Wills’ ‘Grand Ole Revival’ Offers Gospel Comfort but Plays It Too Safe

Album Review: Chris Tomlin’s "Good News of Great Joy" Offers Christmas Comfort with Few Surprises

Kevin Toqe on Reimagining “America the Beautiful” as a Prayer for Unity and Healing

Calm Worship Collective on Christmas Piano Music, Finding Stillness, and Making Space for God

Chandler Marie Talks “Ride Away,” Keeping Christ in Christmas, and Trusting God Through Nashville’s “No’s”

The Hyssongs’ "We’ve Got a Song to Sing" Album Review: Thirty Years On, Hope Still Leads the Way

John Long on Loss, Surrender, and the Faith Behind “All To Him I Owe”

Album Review: The Oak Ridge Boys’ Buried Treasures Finds Faith, Friendship and Life Beyond Loss

Rachelle Fletcher on “Let Love Win,” Children in Crisis and Standing for Truth Without Losing Love

Alexander Pappas Opens Up About Hillsong Hurt, “Shallow” Song Criticism, And The Hardest Year Of His Life

ZOEgirl Returns With “I Still Believe”: Chrissy Katina Shares Her Journey Through 14 Years Without Her Singing Voice

Kid Rock’s "Halfway 2 Jesus" Review: Faith, Failure and the Long Road to Redemption

Album Review: Charity Gayle’s "His Name Shall Be" Brings Christmas Worship Into Seasons Of Joy And Grief

Hillside Recording And Addy Prado Reveal The Personal Story Behind Christmas EP “Come And See”

Album Review: Josiah Queen’s “Damascus Road” Turns Spiritual Restlessness Into A Call To Live Fully

The Hi-Bridge Band’s Cy Pierpont On Finding His Way Back To Music, Chasing The Groove And Putting Family First

Carl And Laura Lentz’s "Overcoming Infidelity" Book Review: Does Their Marriage Recovery Offer A Road Map For Others?

Ebie Adkins On ‘Gone 2: Unshakable Faith’ And The Choice That Tests Everything

Jen Wilkin’s ‘Dust To Dust’ Book Review: What Our Fear Of Aging Reveals About Our Faith

Exclusive interview: Andy Riemersma On “I PRAISE YOU” And The Calling Behind His Music

Album Review: Jenna Raine’s ‘Jeans, Boys & Jesus (Deluxe)’ Finds Faith In The Mess Of Growing Up

Album Review: Josh Baldwin’s “Worth Everything” Asks A Costly Question Behind Familiar Worship Words

Dan Musselman Opens Up About Losing His Calling, Finding A New Mission, And “Dust And Doxology”

Chris Tomlin’s Daughter Ashlyn Exclusively Opens Up About “The One,” Her Famous Father, And Finding Her Own Faith

Skillet’s “After The Storm” Review: Big Hooks, Heavy Guitars, And A Familiar Fight For Hope

Exclusive Interview: Grassy Creek Bluegrass Band’s Brian Eversole Reveals The Terrifying Night Behind “Fire On The Hill”

Album Review: Megan Woods’ Self-Titled Debut Finds Its Strength In A Question Of Identity

Matt Rees’ “Death Like Yours” Album Review: What Happens When Worship Meets Church Hurt?