1

Hulvey Cancels Sold-Out Amsterdam Show Over Explicit Displays—Why Couldn’t The Venue Dispute Be Resolved?

2

Pastor Stephen Clayton And Three-Year-Old Son Killed In Crash—How Can The Church Help His Pregnant Wife?

3

Lisa Knowles & The Brown Singers Receive Key To Memphis In Triumphant 50-Year Celebration

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Exclusive interview: Andy Riemersma On “I PRAISE YOU” And The Calling Behind His Music

5

Point Of Grace Reveals Their CCM Vocal Heroes—And The Singer They Say Deserved More Fame

6

Andy Stanley Will Step Down As Senior Pastor—What Comes Next For North Point?

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Ebie Adkins On ‘Gone 2: Unshakable Faith’ And The Choice That Tests Everything

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Kathryn Krick Faces Renewed Scrutiny—How Did She Respond To Allegations Against Her Spiritual Mentor?

9

Album Review: Michael W. Smith’s ‘Go West Young Man’ At 36: The Songs Behind A Career-Defining Album

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Album Review: Jamie MacDonald’s Deluxe Album Offers Plenty Of Grace—And Too Many Return Visits

Album Review: Josh Baldwin’s “Worth Everything” Asks A Costly Question Behind Familiar Worship Words

Dan Musselman Opens Up About Losing His Calling, Finding A New Mission, And “Dust And Doxology”

Chris Tomlin’s Daughter Ashlyn Exclusively Opens Up About “The One,” Her Famous Father, And Finding Her Own Faith

Skillet’s “After The Storm” Review: Big Hooks, Heavy Guitars, And A Familiar Fight For Hope

Exclusive Interview: Grassy Creek Bluegrass Band’s Brian Eversole Reveals The Terrifying Night Behind “Fire On The Hill”

Album Review: Megan Woods’ Self-Titled Debut Finds Its Strength In A Question Of Identity

Matt Rees’ “Death Like Yours” Album Review: What Happens When Worship Meets Church Hurt?

What Is Jake MacAdam Asking God For? Inside His New EP "Source Of Life"

Album Review: Amy Grant’s ‘The Me That Remains (Deluxe Edition)’ Finds More Beauty In The Becoming

Album Review: Charles Billingsley’s “Replay” Finds New Purpose In Christian Music’s Past

Wynonna’s “The Hard Truth” Review: What Happens When The Voice Gets More Personal?

Album Review: We Are Messengers’ "Halfway Home" Finds Hope in the Space Between Here and Heaven

Susan Ashton’s “A Distant Call” Turns 30—What Connected This Christian Album To Garth Brooks And Sheryl Crow?

Jaye King On “All God, Not Me”: What Happens When Faith Meets Life’s Hard Places?

Madonna’s VMAs Backlash Raises a Question for Christians: What Does It Mean to Age Gracefully?

Album Review: Red Worship’s "Witness" Finds Its Strongest Songs in Stories Worth Telling

Album Review: Matthew West’s "Jesus Is King" Makes Room for Both Praise and Personal Stories

Koryn Hawthorne On "Big Gospel," God’s Favor, And The Songs She’s Still Learning To Live

Album Review: Anthony Brown & group therAPy Turn Pain Into Praise on the Revealing New Album "Disclosure"

Exclusive: Former American Idol Finalist Michael Sarver Peels Back the “Layers” of His Faith, Family, and Painful Past

Album Review: Jaye King Makes Joy Sound Effortless on "All God, Not Me"

Album Review: Zauntee’s GOD REMEMBERS Turns Spiritual Survival Into a Battle Cry

Album Review: Franni Cash Finds Her Voice After Church Hurt On "Here I Am"

Album Review: Cory Asbury Returns To His Calling On "Outsing The Angels"

Album Review: Drew Baldridge Builds On Solid Ground With "Farm Faith Family"

Album Review: for KING & COUNTRY Paint Faith In Bold Strokes On "The Most Beautiful Colours"

Exclusive Interview: Douglas Kaine McKelvey And Jon Lowry Create Prayer Songs For Those Facing Death And Grief

10 AI Gospel Songs Shaking Up Christian Music Now

SENSERE On Its First Stellar Award, Fred Hammond, And A New Season Of Success

Cedric Ballard Reveals How His Wife’s Cancer Battle Inspired "He Won’t Fail: The Journey Vol. II"

Album Review: Tasha Cobbs Leonard’s "Tasha Unscripted" Turns Her Greatest Songs Into a Glorious Gospel Family Reunion

Album Review: The Rock Music’s "Not Alone" Turns Grace Into a Powerful Soundtrack for the Wounded